Plegaria is one of the most intimate pieces from the workshop: a female figure rising with arms open to the sky while her body coils in on itself, held up by two long, firm legs.
The gesture is one of opening — but also of return. As if the figure, after folding inward, found the strength to rise again. The wood’s patina in garnet and mahogany tones underscores the duality: the earthly and the airborne, the body that weighs and the spirit that rises.
“Every carving is a resurrection — the wood already had a life, now it’s time for another.”
