Blog · Fundamentals
Relief carving is perhaps the oldest and kindest way to start carving. The word comes from "to raise," to make something stand out. And that's exactly what it is: an image "drawn" into a flat panel of wood (or foam) that stands out from the background once you remove the material around it. You don't carve a figure on all sides; you work a single face, like a picture you can touch.
Depending on how far the figure projects, there are three families:
Relief forgives. Working on a flat panel, you control depth better and don't have to think the piece in 360°. It uses few tools —a V-gouge, a U-gouge— and, since it's almost flat, you paint it at the end and it looks good right away. It's the humble door into the craft: you learn to see, to score and to hollow without the material overwhelming you.
The process is always the same: you draw or trace the motif, score the outlines with the V-gouge, hollow the background with the U-gouge so the figure stays high, round the volumes, and finally paint and seal. To see it start to finish, follow the wave relief tutorial — and review the basic cuts before you begin.
A good relief has a touch of magic: it's flat and yet it has depth. That illusion —pulling volume out of a board— is the craft's first lesson.
¡Agarra tu gubia que nos vamos a trabajarrr!
The wave relief, step by step: low relief, few tools, and a finish you'll love.
See the tutorial